Showing posts with label Kurtzman. Show all posts
Showing posts with label Kurtzman. Show all posts
Sunday, June 28, 2009
REVIEW: TRANSFORMERS - REVENGE OF THE FALLEN
I'm late getting this online (shocking, I know), so anyone interested has probably read at least one review of the new Michael Bay fighting robot explosion-fest, TRANSFORMERS 2: REVENGE OF THE RUNTIME. If you haven't yet, read any and all of the reviews linked at the bottom of this page - they're terrifically entertaining reads. And in the nature of full disclosure, I read those incredibly negative reviews before seeing the movie myself, something I try to avoid doing in most cases. I couldn't resist, though, and still somehow mustered the will to see the movie after reading how abjectly awful it is. Don't get me wrong, if Devin, Nick or Ebert say that a movie is inherently terrible and without any redeeming qualities (which they all do), I take them at their word; when it comes to avoiding shitty movies, they've never led me astray.
But goddamn, do I love me some big robots.
Five minutes into the new TRANSFORMERS (after an opening so retardedly audacious - including Decepticons at the Dawn of Man), after a terrific robot fight that leveled Shanghai, I started to wonder if maybe, just maybe, the pros and I weren't going to see eye to eye on this one. The movie, while just as dumb as the previous installment, was not the disaster I'd been told to expect. The action was bright, colorful and, most unlikely of all in a Michael Bay movie, coherent. Also, kickass. When engaging a hidden Decepticon force in the soon-to-be-craterish city, Optimus Prime drives out the back of an Air Force C-130, transforms in midair (all in one, continuous, 100% ILM shot, of course), deploys four parachutes, touches down on the freeway and, three bounds later, transforms back into a truck. Mindless, I know, but it's the kind of giddy, little boy playing with action figures fun you want when watching this kind of movie. I leaned over to my friend and commented that, so far, the movie was pretty enjoyable, with which he agreed.
ONE MINUTE LATER.
ME: What just happened?
FRIEND: Oh my god, I'm so bored.
And that's TRANSFORMERS: REVENGE OF THE FALLEN, condensed for your reading pleasure. There's a few minutes of robot ass-kicking scattered throughout two-and-a-half hours of horrible. Let me be clear: there is NOTHING to enjoy in this movie that doesn't involve 40-foot robots punching each other in the face. The only moments in the movie that I didn't hate featured robot fights, though I by no means am saying that there weren't robot fights that I didn't hate, which there were (and I did). The things that I hated most about the movie were the robots, which there is no shortage of. The Autobots and the Decepticons filled out their ranks since the last movie, though there is no explanation where any of these new bots came from. On the "good" side we have Shiny Silver Sports Car Robot (if this character was given a name, I didn't catch it - in my defense, it also wasn't ever given a line of dialog or anything to do onscreen except drive around looking mighty slick) and the Crotch Rocket Sisters (a trio of fast motorcycles who project holographic girl-riders when in bike form, and who roller-fucking-skate in robot form). Adding to the mounting inanity is Jetfire, the ancient SR-71 Blackbird who, to better depict his age, walks with a cane (that comes from within when he transforms) and has a shiny metal beard. And of course there are already-infamous Twins, two smaller robots who walk, talk and look like the worst black man stereotypes ever; their presence in this movie is hateful, stupid and ugly, and all involved in their creation should be ashamed of themselves.
But Mudflaps and Skids, as they're called, aren't the only offensive content vomited on the screen over the movie's unbearably long running time. American soldiers are killed off by the dozens throughout - early in the film we see their bodies being unloaded at a stateside airbase, coffins draped with American flags. This is a scene in a movie about alien robots based on an 80s toyline. It's bad enough this brainrot movie kills off U.S. troops just to up the body count, but to try (and fail) to milk an emotional moment off the solemn imagery of their deaths is beyond insulting. In addition to that public offense, the movie peppers what is (or should be) essentially a children's action movie with profanity and tasteless "humor." Little children sat in theaters this weekend watching dogs and dog-sized robots hump Megan Fox's leg. They saw at least one robot farting gag, yet another robot pissing on people gag, Sam's mom get high on pot-brownies, and John Tuturro's barely-concealed nutsack. There's nothing, absolutely nothing funny in TRANSFORMERS: ROTF, and every attempt at humor is at best dead air (but in most cases crude and tasteless).
Every human element in this movie is a complete and utter waste of time. There is not a single character in the entire movie, only human-like props that scream each other's names loudly and repeatedly. Shia Lebouf, whose sharp comic instincts were one of the first movie's few saving graces, is undeniably terrible here. Megan Fox, who suggested last time that she might be more than just a pretty everything, is strictly a piece of ass this go 'round. Her character is a pin-up in the middle of a $200 million action flick and nothing more. I almost feel bad for her. Bay & Co. follow the PIRATES 2 model, wherein any and every memorable (or not) supporting character from the first installment (dogs included) must return. Everybody's back: Sam's parents (who killed last time but, sadly, are given dreck to run with this go), Tuturro's disgraced Sector 7 agent (a needless and 100% unfunny John Tuturro thong gag hurt my soul), and even Mojo the chiuaua (who is featured two of the movie's three dog-humping-leg jokes. Seriously) all return, none of whom add anything of value to the proceedings. Let's not forget Josh Duhamel and Tyrese Gibson's Military Dudes (I saw the movie last night and I can't remember a single character's name, or for that matter even a rudimentary outline of the plot), who function solely as... nothing. They're barely in the movie. In fact everyone feels like they're barely in the film at all. There isn't a character in the movie that I didn't hope would die by the end, and those that did ALL came back to life before the movie (finally) stopped. This is such a vacuum of talent and entertainment featuring nothing, barring a few brief robot fights and the aforementioned offensive content, even remotely noteworthy or memorable.
One thing to keep in mind while watching this movie (which you should under no circumstances do. Please, don't give them your money, your time or your brainpower) is that its principle architects HATE YOU. Michael Bay and screenwriters Orci and Kurtzman think you are of limited intelligence and are so eager to kill two hours of your tedious life that you'll endure hours of noisy, mindless drivel. They think you won't notice glaring continuity errors, like when characters on one continent in one scene are inexplicably on another in the next, or that an amphibious invasion force manages to cross the entirety of Africa in the space of minutes. Certainly they think you're a racist cretin like them, since they think you'll find it funny that black dudes can't read, even when they're robots. They assume you're a moron for laughing at shit like The Twins, Sam's intensely annoying college roommate (who annoys every character he encounters - perhaps this should have been a warning, screenwriters) and a lech for wanting nothing more from Megan Fox than to do cheesecake poses for 2.5 hours (seriously, if I wanted porn, I know where to look). They think you don't have even the most rudimentary grip on geography, going so far as to place the Smithsonian Air and Space Museum in the middle of the goddamn desert and setting a journey from Egypt to Jordan (and then back) over the course of a few hours. Really, though, they think you're a mouth-breathing, bib-drooling, Maxim-reading product of hastily-unplanned mutant incest for enjoying the two hours of banal filler that populates the non-robot fighting portions of the movie.
This is a terrible, terrible, terrible movie. People that tell me they enjoyed it are no longer people I can have conversations with. This is an objectively bad movie - no one can argue otherwise. There is no plot, there are no characters, there is nothing dramatic, comedic or otherwise entertaining about anything that occurs in the film. There are a few enjoyable (but unoriginal and unexciting) robot fight scenes that were the only things I looked forward to during its punishingly-long duration. I hated, hate now and will forever continue to hate this movie until something even worse is released (and even then, I'll only hate it slightly less). This is an insult to audiences and a black mark on Hollywood.
I'm not typically inclined to make hyperbolic "best/worst" statements (and even less inclined to take seriously those who do make them), but TRANSFORMERS: ROTF is easily the worst movie I've seen this year, and among the worst I've ever seen. I can't believe I'm this offended by a damn robot movie. Avoid it at all costs.
ROGER EBERT'S REVIEW
DEVIN FARACI'S REVIEW
NICK NUNZIATA'S SEMI-REVIEW
Labels:
awfulness,
Kurtzman,
Megan Fox,
Michael Bay,
Orci,
Shia Lebouf,
Transformers
Subscribe to:
Posts (Atom)